The strength of some reactions has come as no surprise to him. “Our hope is that … that decision to make the first season as uncomfortable as it is for so many people will pay off over the course of the long-form series.” “People are pissed that their image of who this guy was – which is really tied up in themselves – is being dismantled,” says Schreiber.
There were moments after The Wire where I was so broke I couldn’t buy a lottery ticket While understandable, the move was a step too far for the franchise’s most fervent fans. “It inhibits you from going to places of depth and interest that you really want to get to for a long-form story,” says Schreiber. The games have always protected the chief’s anonymity, which is great for creating a blank avatar gamers can identify with, but less so for actors trying to convey emotion. Perhaps the biggest break from the source material was the decision to take off the Master Chief’s helmet and reveal his face. Rather than try to replicate the game’s two decades of lore and chronology, the show follows its own timeline. Schreiber as Master Chief … the helmet is great for creating a blank avatar gamers can identify with, but less so for actors trying to convey emotion. The reaction from critics so far has been mixed to positive (it currently scores 70% on Rotten Tomatoes), with many accepting that this first season has been as much about laying the groundwork for what’s to come in Halo’s expansive universe. Paramount didn’t even wait to see the ratings or reviews before commissioning a second season, green-lighting the project in advance of the show’s US premiere in March.
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It’s the flagship show for Paramount+, the network’s new TV subscription service, and will be key to positioning itself as a serious competitor to Netflix, Amazon et al. Paramount really needs Halo to do good business. “It’s not good for my business there’s nothing good that can come from the Master Chief showing how bad he is at Halo.”
“I can definitively say, I will never ever play Halo publicly online,” says Schreiber, laughing over Zoom. Schreiber gives the character more complexity and emotional variance than he’s afforded in the games. It’s solid casting, and not just because of his 6ft 4in shredded frame. John-117 is video-game royalty and the role of playing him has fallen to the 43-year-old Canadian-American actor Pablo Schreiber, best known for roles in The Wire, Orange Is the New Black, American Gods and Den of Thieves. No helmet required … Pablo Schreiber on the set of Halo. The protagonist is the Master Chief, or John-117, a 6ft 10in augmented super-soldier (or Spartan, in Halo terminology) and the poster boy of the human campaign against the Covenant – think Hercules reimagined as a space marine.
But it’s a big if.įor the uninitiated: Halo takes place at a time of intergalactic war between humans and a collective of quasi-religious alien species known as the Covenant. If a network sticks the landing, a Halo TV show could be a significant weapon in its arsenal.
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Since the release of the first video game in Microsoft’s crown jewel franchise – 2001’s Halo: Combat Evolved – the series has sold more than 81m games, generating in excess of $6bn. Will it have been worth such perseverance? Quite possibly. A nd so, after 17 years of false starts, numerous failed attempts at feature films (including a Peter Jackson venture), more than 265 drafts, a reported budget of $200m and a production schedule in Hungary decimated by the pandemic, we are finally set to see a TV series of the video game Halo.
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